Nov. 12th, 2008

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The artistic director of the California Musical Theatre resigned Wednesday, after gay and lesbian artists threatened a boycott for his support of a ban on same-sex marriage.

You're the Artistic Director of a Musical Theater company. Donations to campaigns are a matter of public record.

I repeat, a Musical Theater company.


What did he think would happen? Really. It would be like the head of a college computer science department contributing to a campaign to ban Dungeons and Dragons. Not every student plays Dungeons and Dragons, but everyone knows a rabid player, and acceptance of that facet of nerd culture is an article of the faith.


So how did he think this would work? Frankly it smacks of "Sure, but would you want one of them to marry your sister?"
wileypeter: (Default)
I've been wondering exactly what to write about this.

Mitch Mitchell, longtime drummer for Jimi Hendrix, was found dead in his hotel room in Portland at 3am Wednesday morning.

I know a bunch of guys who wanted to be Hendrix when they were kids. Me, I wanted to be the guy pounding the drums behind him. Mitchell's drums on the live version of "Fire" from the old Ryko comp Steal This Disc still grabs me by the throat. He drove that band.

I've had more than one Hendrix Experience vs. Band Of Gypsies argument. I always side with the Hendrix Experience. I'm glad Jimi was moving beyond his expected style, but I'm sorry, Buddy Miles was no Mitch Mitchell. It always comes down to the drummer. Mitch could play in any band Buddy could, brought a hyper-kinetic Jazz feel to his cymbal work Buddy couldn't touch, and Mitch pushed Jimi. The last Experience lineup, with Mitchell and Billy Cox, was doubtless the group Jimi needed to reach the next level with his music.

Drummers are all too often seen as second-class citizens by a large chunk of the listening public. Unless you have a fandom like that of Tool or Rush the drums aren't the story. No great band has ever made it without the right drummer. Sometimes the drummer made it look too simple and easy (like Ringo Starr, whose work was a lot more subtle than most listeners cared to hear), but every one was crucial. Why do you think Spinal Tap never broke through to the next level? Drummer trouble.

There's a reason Led Zeppelin broke up when Bonham died. There's a reason Richard Hell & The Voidoids collapsed when Marc Bell left to become Marky Ramone. There's a reason Yes panicked when Bruford jumped ship to join King Crimson.

Often, after a great band fractures the drummer is left behind. It's uncommon that a drummer forges a solid career outside the group format. For example, I saw Ginger Baker, drummer from the mighty Cream and Blind Faith, at the mostly empty Cactus Club in San Jose. George Hurley worked construction after fIREHOSE broke up. I haven't any idea what Mitch has been up to. Not proud of that.

As amazing a musician as Hendrix was, his music needed a solid skeleton with limber joints on which to hang its muscle. Mitch Mitchell was that skeleton. Hendrix would have been huge either way, but the musical legacy he left behind lasted in no small part due to the solid foundation Mitch provided.



If there is a stereotypical Rock 'N' Roll Heaven, godspeed, Mitch. I hope you and Jimi have a hell of a jam.

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